• Sophia Al Maria, The Limerent Object, 2016, Courtesy Anna Lena Films
  • Yuri Ancarani. The Challenge, 2016
  • Karimah Ashadu, still from Red Gold, 2016, courtesy of the artist.
  • Trisha Baga, still from MABUHAY, 2016, courtesy of the artist and Green Naftali.
  • Bertille Bak. Usine à Divertissement,2016.
  • Hicham Berrada, courtesy Kamel Mennour, Paris.
  • Phoebe Boswell. still from Mutumia, 2016.
  • Pauline Bourdy & Renate Lorenz, 2016.
  • Brian Bress. Man with Cigarette, 2016.
  • Loulou Cherinet, Axis, 2016.
  • Massimo D'Anolfi & Martina Parenti. Infinita Fabbrica del Duomo. 2015. Courtesy Montmorency Film.
  • Alessio Di Zio. Genesee. 2016.
  • Alessio Di Zio. Sioux Rapids. 2016.
  • Bodil Furu, still from Mangeurs de cuivre, 2016.
  • Jenna Hasse. Soltar. 2016. Courtesy Louise Productions.
  • Emilie Jouvet, still de Aria, 2016.
  • Evangelia Kranioti. Obscuro Barroco. 2016
  • Salomé Lamas. The Burial of the Dead. 2016 Courtesy of the Artist
  • Cinthia Marcelle & Tiago Mata Machado.
  • Boris Mitic. Once Upon a Nothing. 2016 Courtesy Dribbling Pictures.
  • Cally Spooner, On False Tears and Outsourcing, 2016.
  • Kerry Tribe. Exquisite Corpse.
  • Production Still, Duilian (2016) Film by Wu Tsang. Courtesy of the artist and Galerie Isabella Bortolozzi, Berlin.
  • You Sad Legend Performance by Wu Tsang & boychild (featuring Patrick Belaga), Experimental Media and Performing Arts Center (EMPAC), Troy NY, April 15.
  • Emily Wardil._I gave my love a cherry that had no stone, 2016

Biennale de l’Image en Mouvement: from Geneva to Rome

7 October 2017 > 7 January 2018


Fondazione Giuliani invites
Biennale de l’Image en Mouvement: from Geneva to Rome
curated by Andrea Bellini, Cecilia Alemani, Caroline Bourgeois, Elvira Dyangani Ose)


The Biennale de l’Image en Mouvement (BIM, Biennale of Moving Images), of the Centre d’Art Contemporain in Geneva, provides a platform for art and ideas by surveying the ever-shifting territories of moving images, while aiming to make sense of the extraordinary profusion of images that has progressively invaded all aspects of contemporary art. The originality of BIM resides in the fact that it consists exclusively of works commissioned and produced for each edition. As a site of research and production, rather than simply a temporary exhibition, BIM is one of the most interesting and dynamic realities in the arena of video art and cinema.


Conceived in its present form in 2014 by Andrea Bellini, BIM is a one of a kind hybrid event situated somewhere between a cinema festival, a constellation of solo exhibitions, and a research and production site. It brings together visual artists, film directors and performers, including dancers and musicians.


The latest edition of the Biennale was produced by the Centre d’Art Contemporain in Geneva in collaboration with partners that include the Faena Art Foundation in Buenos Aires, and the production house In Between Art Film in Rome. Thanks to this local reality, together with the Fondazione Giuliani, an important selection of works produced in 2016 will be presented in Rome for the first time at Palazzo delle Esposizioni.