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  • Will BenedictThe Bed That Eats, 2015
  • Will BenedictThe Bed That Eats, 2015
  • Fiction is a Terrible EnemyInstallation view at Fondazione Giuliani, Rome, 2017, photo Giorgio Benni
  • Will BenedictUntitled, 2014
  • Will Benedict & Tom HumphreysUntitled, 2014
  • Fiction is a Terrible EnemyInstallation view at Fondazione Giuliani, Rome, 2017, photo Giorgio Benni
  • Will Benedict I AM A PROBLEM (Enemy Ladder), 2017
  • Will Benedict I AM A PROBLEM (Enemy Ladder), 2017
  • Will Benedict I AM A PROBLEM (Enemy Ladder), 2017
  • Fiction is a Terrible EnemyInstallation view at Fondazione Giuliani, Rome, 2017, photo Giorgio Benni
  • Fiction is a Terrible EnemyInstallation view at Fondazione Giuliani, Rome, 2017, photo Giorgio Benni
  • Wolfgang Breuer No Title, 2011
  • Will BenedictI AM A PROBLEM (T.O.D.D.), 2016
  • Will BenedictI AM A PROBLEM (T.O.D.D.), 2016
  • Fiction is a Terrible EnemyInstallation view at Fondazione Giuliani, Rome, 2017, photo Giorgio Benni
  • Will BenedictToilets not Temples, 2014
  • Will BenedictThe Leopard Frog, 2016
  • Fiction is a Terrible EnemyInstallation view at Fondazione Giuliani, Rome, 2017, photo Giorgio Benni
  • Will BenedictLay's Miserables, 2017
  • Wil BenedictStop and Frisk, 2013
  • Fiction is a Terrible EnemyInstallation view at Fondazione Giuliani, Rome, 2017, photo Giorgio Benni
  • Will BenedictProduction Hospital, 2016

Fiction is a Terrible Enemy

11 FEBRUARY > 8 APRIL 2017

 

Fiction is a Terrible Enemy

a solo show by Will Benedict

from 11th February to 8th April 2017

Law & Order was an American television program running on the NBC network for 19 years. It has been spun off and franchised into six American iterations, five video games, as well as French, British and Russian versions. In 2016 Donald Trump declared himself the Law and Order candidate. My friend Justine is always late, which is rather impolite. She could use some Law and Order in her life. Law and Order can simply be patronizing but at its worse can also be political shorthand for the imprisonment of millions of people.

For my exhibition at Fondazione Giuliani I will be premiering a new music video I made for the band Wolf Eyes called “I AM A PROBLEM (Enemy Ladder)”, along with a selection of movies and music videos made in the past few years. Last summer for the Berlin Biennial I made another music video for Wolf Eyes called “I AM A PROBLEM (T.O.D.D.)”, which features an alien being interviewed by Charlie Rose on the subject of immigration. This new “I AM A PROBLEM” video follows a SWAT team staked outside of a quiet family home where a woman is reading a book, oblivious to, or unconcerned about, the police activity outside her window. The book she is reading reveals dark secrets about our potential collective desire for a release from this corporeal world. I think.

In 1996 another friend of mine named Chris had a band called Razorburn 77. I don’t know why the band was called that. But they had a song called Law & Order that was just the theme song to the TV show Law & Order. It was funny at the time but also terrible. At about this time Bill Clinton had just instituted the Three Strikes Law, which was coined from the game of baseball and that sent any offender who had three felony convictions to life imprisonment no matter the severity of the crime. As it turned out, three strikes created a cruel, Kafkaesque criminal justice system that lost all sense of proportion. Shoplifting from a department store, pilfering change from a parked car, or passing a bad check could land you in prison for life. Fiction is a terrible enemy.

-Will Benedict

Will Benedict (born Los Angeles, 1978) is an artist living in Paris, France. His work has recently been included in the 9th Berlin Biennale (2016), the 10th Nicaragua Biennial (2016) and the 31st Biennial of Graphic Arts in Ljubljana (2015). Recent solo exhibitions include I AM A PROBLEM at Rob Tufnell in London (2016), Bad Weather at Overduin & Co. in Los Angeles (2015), A Bone in the Cheese at Bortolami in New York (2015), Corruption Feeds at Bergen Kunsthall in Norway (2014), Comparison Leads to Violence at Balice Hertling in Paris (2014), and The Narcissism of Minor Differences at Halle für Kunst in Lüneburg (2013). He has also curated the exhibitions Nuclear War: What’s in it for you? at Vilma Gold in London (2014), Vertical Club at Bortolami in New York (2013) and Commercial Psycho at Andrew Kreps Gallery in New York (2012).